The fish scale the falls as Grandpa oversees from the lip. The scene counts on one to pause. Into the emulsion; the river's foam with film obtains where the camera and the 11mm lens finds - the gilded sockeye; tweaking into position above its spa and cast into bear hands.
It would leave a scar: Of the left side of the wound, the entry of, Erik drove his bicycle into the anterior of his left lower leg just high enough from the ankle that his sport sock would not conceal the evidence.
- Not really, you see, it was not the bicycle itself that drove into the leg, but the driving of the bike, maybe like one might suffer a shin splint, or stress fracture.
The bike hit a fence. Erik lost his driving but it kept going.
So here we have a state of Erik being in an accident and being purged of some part of his energy not unlike a choking victim uncorking something he really wanted to swallow. Well it was catapulted from its housing. It got lost and disoriented, panicking it wanted back in. Quickly fumbling, it dug into the closest thing. This time entering from a new angle at that part of his leg.
Who knows what became of the whole of that original housing while his driving was AWOL, but that ball of energy as we will physics-a-morphize it was congealed in this makeshift location, still migrating as we will recall it in psychological wound time, rather that central time.
Why was it that once the wake of the skin flexed back and he was newly categorized of his surroundings that he was remembered?
Once Mr. latent energy of Erik was cushioned (ploughing in central time) in (Through) the red ball crawl, stunned and unmoving, his focus externally locked on one moving ball, appearing to him like a lava lamp that he'd recognized the heat of that lamp before. The features of her face appeared well before she walked right out in front of him.
This story represents my first attempt at fiction writing. It was written in a single session during which a self-imposed rule was adhered to that each word, once written down, could not be changed.
From the Oxford English Dictionary
at, preposition
At expresses the position reached by completed motion to, or that which is left by motion from: lines drawn to a point, from a point, or through a point, meet or intersect at the point. Hence, with certain verbs, at comes into contact with through, from, or of, to, and toward.
at, 1.a. The most general determination of simple localization in space, expressing, strictly, the simple relation of a thing to a point of space which it touches; hence, usually determining a point or object with which a thing or attribute is practically in contact, and thus the place where it is, when this is either so small as to be treated as a mere point, or when the exact relation between the thing and the place is not more particularly expressed by the prepositions close to, near, by, about, on, in, over, under, etc., all of which may at times be covered by at.
Example
1833 - These streamers seem to converge at a point beyond the zenith.